
Dissident Nina Litvinova's suicide note blames Putin for Ukraine war and repression
The 80-year-old human rights activist left a note saying she could no longer bear the war and mass imprisonment. Her cousin said: "Putin killed her."
The most significant development is the suicide note itself, which explicitly blames the Russian president for the invasion and the subsequent wave of political repression. Nina Litvinova, an 80-year-old dissident and human rights activist, took her own life in Moscow on 12 May. Her body was found on a central city street. The note, published by her cousin Maria Slonim, a journalist based in Britain, states that life had become "unbearable" since Putin attacked Ukraine, killing innocent people, while simultaneously jailing "thousands" who oppose the war. She named specific political prisoners she had tried to help: theatre director Zhenya Berkovich, lawyer Svetlana Petriychuk, and journalist Karina Tsurkan.
Litvinova was no ordinary activist. The granddaughter of Maxim Litvinov, the Soviet foreign minister under Stalin who later fell from favour, she had been a lifelong dissident, a prominent ocean researcher who never abandoned her moral commitments. In recent years she had worked to support political prisoners, writing letters and raising awareness. Her note confesses exhaustion and shame at having "given up," a stark admission of the psychological toll exacted by watching the systematic destruction of dissent from a position of powerlessness.
The reaction to her death in Russia laid bare the country's information divide. State-run agencies such as RIA Novosti reported the suicide but omitted the contents of the note. Independent outlets, including Dozhd, Meduza, and the Moscow Times, published Slonim's excerpt, which she headlined with the blunt accusation that "Putin killed her." The contrast underscores how even a final statement of personal despair becomes a political battleground.
Viewed from London, where Slonim now lives, and from Washington, the episode will be read as a damning indictment of the Kremlin's war and its domestic aftermath. The list of prisoners Litvinova cited is a roll call of those caught in Russia's expanding dragnet: artists, lawyers, journalists, and ordinary citizens. Her death, while deeply personal, is also a political act — a final, anguished message to a world that has largely normalised the daily reality of mass imprisonment. As the war enters its third year, the psychological erosion of Russia's remaining civic activists is an invisible but devastating casualty. Litvinova's suicide will likely sharpen calls for a more concerted Western effort to support political prisoners and to document the human cost of repression at home.
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